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Poetry

Poetry Issue #78

QUELLE

“An empire, I read somewhere, / Maintains itself through / The cruelty of its prisons.”

– Charles Simic

 

 

Unmistakable, we wake to the smell—

    the skunk,

we know he’s back. Stars

crossed, waters unnamed. How quickly

what is sacred is forgotten

when removed from sight. As when

 

mid-blink, you stop,

let your guard down,

and wake to the world run as a hotel—

all expenses paid on the dotted line.

 

It’ll probably be fine. As evening comes,

the birds bring back crumbs:

bruised bits from the source.

Under the strain of new policies,

we watch the news. The lines

in our foreheads leap

from the mirror,

 

afraid they, too, will be deported. ​​ 

Shallow breaths beneath

our doors: our names, ceramic,

sit in the kiln. ​​ 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THRESHOLDS

 

 

Waiting at the front door for my daughter

  her bus is running late and it’s raining

    inside—

 

at the edge, I glimpse the glint of persecutions

outside. How a gust of cool wind

meets its ceramic measure,

 

and how the heat in this coffee will be gone

  by the time the bus comes. ​​ Entering

    middle age I feel

 

just as my son, who waking from a nap—

  a deep one set within his mother’s voice—

    descends the stairs,

 

his blanket tossed ahead, an envoy

telling time, tumbling

in mid-air.

 

LUNCH ON THE CANAL

Lockport, NY

 

 

On vacation near the Falls, we eat lunch at the Canal,

the one where ox pulled sleds to unearth stumps

along a red line someone drew on a map. ​​ Looking

for bagels, I find my family starring over the rail:

a man in a lime green kayak float. He’s steady along

the wall, holding an iron ladder, as if he’s done this

many times, as if rising waters in the lock were just an elevator

going up. But I, the man looking for bagels,

begin to sink into my questions. Later, I think of the man

paddling away from us as the first of a series of tears

that won’t launch from inside me. Instantly, sciatica:

a flare gun firing from hip to heel. Once men drank

whisky as payment for digging up a channel where trees

and deep roots made shade for blistered palms,

where in damp swamps the American mosquito lived

its renaissance. A golden era, each took their fill

while dirt fell down. Each wound by the eternal screw,

names are elastic bands we carry toward water

only to find seven miles of rock. Under jagged crags

of cracked escarpment, the stone splits our why—

every father’s tears, distilled, proof for the queue.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CHECKING THE WEATHER ON MLK DAY

January 20, 2025

 

 

When the day is already ablaze by breakfast,

I think of how California is three hours

behind, and how someone is just now waking

and checking the weather. Smoke rising

from ash on the ground, some residents mourn

their homes: books, photos, and bowls. Sipping

coffee, when I gaze outside, I find part of me frozen

on the horizon. So strange to shiver and hear

the furnace kicking on while western winds

ring around rescue workers. I know

what burns there also burns here. I know blazing fires and frostbite

are not the same thing, but pray their difference

​​ is close enough to dispel guilt that’s really grief burnt

​​ on the edge of my tongue. When there is nothing

​​ to say, when birds attack in dreams, and danger erupts

across the land, I wonder, is there enough water

in both oceans to extinguish what consumes us? ​​ Is there

any place to go, any highway left to look

for King’s dream, hidden, lost beneath the breath

of privilege? Sulfur-laced, his words betray

what is said. Along stitches of presidential seams,

bodies billow blowing hot air. America

is bloodied, but some do not care. They know enough scripture

to know those who look back turn to salt.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

BERLIN AND BACK

 

 

Locked in patterns of the popcorn ceiling above me

 all my shortfalls lie open: a catalog of worry,

words squirm amid hissing stateside hate. As much

 as I want to hold his hand and reminisce

about what I miss, new gravities govern

 the sky and stars. We must go. Downstairs

in the dark, my child waits for God

to speak through punk rock melodies

flowing through wireless headphones. All my prayers

fly on ahead, lay unread and stacked on a nail

in customs —pronouns disintegrating as dust

between his palms. When I breathe deep,

specks of rust fly from where I set ink. ​​ 

*

​​ 4 AM. Rattle, crank, break. I turn to dreams. My father’s

 great grandfather, Jewish, takes the long train

to look me in the eye. What I need to know: Stay

 awake. Tear your clothes, he says, it’s time to go. ​​ 

My metal cheek, is it a blunt edge meant to concuss

or a shard to draw this tattoo across lower heaven

as the sign I love you. This is our stop. Great-grand ghost,

please. In a reflection above the window

I see his cheek in a flash of glass. Transfigurations, blue vessels

leak as the cars begin to move, as I glimpse the tracks

to the places where we don’t want to go. On the map

the needle goes to work. I stash what I can

on both cheeks, then witness what we’ve come for:

the old name vanished before us to reveal

his creation shining in the sun. Whom

should I fear? Manna and quail. We have

arrived. Lord, where shall we go? We have nowhere to go. ​​ 

To Berlin and back. It’s time to go.

By Jae Newman

Jae Newman was born near Seoul. His poetry has been published in numerous literary journals and reviews and been nominated for a Pushcart Prize. As an educator, he’s presented twice for the Poetry Foundation, sharing new ways to engage younger readers on how to teach the reading and writing of poems. Jae lives in Rochester, New York with his wife and children.