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Poetry

Poetry Issue #79


You Wouldn’t Like It Here

When Michael Jackson slides into my DMs

asking for a bitcoin or two, I am sure

that nothing sits on the other side of death.

 

Sure, that Elvis is lying deep beneath the soil

of Graceland. Sure that the dead don’t return. But once,

after Kailey told me of her grandmother

 

calling from the other side, I wasn’t sure. Her voice

was clouded in static, she told me, but it was her.

The way I am not sure when my mother claims

 

the ghost of her father appeared one night, in his chair

by the woodstove, saying bluntly of Heaven:

you wouldn’t like it here before dissipating.

 

I wish my apocrypha were that elegant.

When my dead come back they weren’t grotesque

and multitudinous. After   Benny died,

 

all the kids in our dorm revived him on a Facebook page.

Our condolences built him a new body. Auto-

generated his voice. Whatever he is now, I cannot say.

 

Less a phantom than a phishing scheme.

Day after day, his emails begin: dude, it’s been a minute.

 

 

Method Actors

Beneath our feet, the ice popped

as we talked about the dead girl.

 

How she was lost on a night like this,

never found when the spring thawed,

 

when the ATVs

revved through the forest like hornets.

 

How, now it was happening again.

The actress sent her to portray her.

 

One of these method types. Left clue

in an away message on her Twitter feed.

 

Whose woods these are I think I know –

TMZ has her buying a red coat

 

the Sunday before last. California sun

making tinsel of her hair. She wouldn’t

 

make it to Christmas. Last seen

where the dead girl was, the same fork

 

in the trail, the same clouds

bringing flurries and blankets of fog.

 

 

Chair

The real chaos theory is how many people

from your graduating class married each other.

How many of their children crawl

through your social media feed, haunting

your old haunting grounds. The other day

I took a registry of all the places I bespeckled

my virgin lungs, and was filled with pride

at the slow decay of my body. Once off the trail

at Silver Lake and again deep in the glass

of it. On the roof of the French Restaurant

and again in the guts of the gazebo. Blueberry Hill

with the blueberries and again with black.

A hundred times in the forest, intruded upon

by horses and surveyors. I wonder if my childhood

has been demolished yet, if you can still stand

upon the roof of the lake, still listen

to the ghostly melody a stone makes

scooting across the ice. You said it sounded

like a loon having its call forced down its throat.

Such a violence in hating the things you once loved.

I yearn now only for the distant yips of snowmobiles.

Their devouring by pines and cedars.

 

 

Underhill

My grandmother is calling from Underhill,

on my birthday, five years after she died.

It’s like one of those stories she used to tell

 

of her dead husband putzing around the house.

How she’d wake one night to the neon fuzz

of a Red Sox game, the sound of his rocking chair

 

tracing the grooves in the cement floor.

Or how she would smell motor oil and mown grass

milling about the yard in the dead of winter.

 

In reading a history of ancient cultures,

I have found that when a storyteller dies

all their creations are summoned across the void.

 

Maybe, she knows I need to hear the story

of the little green men who came parading down her lane

Against our insistence she went to her grave

 

swearing it was true. Wishing that someone

was awake to share it with her. Her daughters

or husband, someone to pull the curtains crisp,

 

to leave the cat out to yowl. Instead,

she stood dumb in the darkness, watching

their backs dissolve down the lane.

 

 

Gossamer

Up in the old settlement behind the high school.

The snake grass rising with paleolithic stalks

between half sunken foundations and old stone walls.

 

I haven’t been up here since the sixth grade,

since it took half the class holding hands to encircle

the old oak. Since the sounds of a soccer game

 

came humming through the undergrowth. I wonder

if Mrs. Mathis still rings her cowbell to celebrate

a goal on Friday nights. If the capitalist objector

 

still lives off the grid in a decayedsprintervan. I

am trying to remember the silence. The trees

creaking like opening doors. Opening to where

 

we’d ask, while stoned at cross country practice.

The silence was always huddled around us then.

Making cloisters between boughs of trees. The way

 

lights mute a copse, the way the first corpses

appeared in the dying vernal pools. I knew the boys

who snuck the trout into the disappearing water.

 

Knew their cruelty and often shared it. I knew

one who got cold feet and wanted to save it. Went,

but found only leaves, fallen just so, in waves

 

of red, orange, and green, like the underside

of a fish swimming away in a disassembled rainbow.

I can’t shake the feeling we were already haunted

 

during those days. That the glimmer of some gorgeous

ancient menace would hang forever, so elegantly

around us, like gossamer enwrapping our faces.

 

 

By Eli Karren

Eli Karren is a poet and educator based in Austin, TX. His work can be found in the swamp pink, At Length, Palette Poetry and the Harvard Review.